From 8e177b0e00161ee2636d23d8f84e842e65e34e20 Mon Sep 17 00:00:00 2001 From: equilet <2237372+equilet@users.noreply.github.com> Date: Fri, 9 Dec 2022 14:38:59 -0800 Subject: [PATCH] standardized headings in markdown, added details --- _posts/academia/research/2008-10-13-ssr.md | 2 +- _posts/academia/research/2008-11-01-hapl.md | 4 ++-- _posts/art/.DS_Store | Bin 6148 -> 6148 bytes _posts/art/audio/2014-04-05-modulations.md | 2 +- _posts/art/audio/2016-01-30-finite00.md | 2 +- _posts/art/audio/2016-04-30-finite01.md | 2 +- _posts/art/audio/2016-04-30-finite02.md | 2 +- .../art/audio/2016-09-01-bergen-assembly.md | 4 +++- .../audio/2018-05-18-bischofflubowmiller.md | 4 +++- _posts/industry/2009-01-01-shrc.md | 3 ++- _posts/industry/2014-05-04-djtt.md | 3 ++- _posts/industry/2014-08-01-c74.md | 3 ++- 12 files changed, 19 insertions(+), 12 deletions(-) diff --git a/_posts/academia/research/2008-10-13-ssr.md b/_posts/academia/research/2008-10-13-ssr.md index 8ecc334..4d528ff 100644 --- a/_posts/academia/research/2008-10-13-ssr.md +++ b/_posts/academia/research/2008-10-13-ssr.md @@ -1,5 +1,5 @@ --- -layout: project +layout: job title: "Subjective Spaces in Hearing Research" date: 2008-10-13 categories: research hearing-science diff --git a/_posts/academia/research/2008-11-01-hapl.md b/_posts/academia/research/2008-11-01-hapl.md index 85330f4..ce14cc3 100644 --- a/_posts/academia/research/2008-11-01-hapl.md +++ b/_posts/academia/research/2008-11-01-hapl.md @@ -1,11 +1,11 @@ --- -layout: project +layout: job title: "HAPL: Hafter Auditory Perception Lab" date: 2008-11-01 categories: research hearing-science --- -HAPL +# HAPL --- In 2008 I worked with Professor Ervin Hafter on a research project involving dichotic listening. Subjects were invited to answer questions issued in a virtual cocktail party that I programmed, both through visual stimulus on screen and a 48-channel speaker array in an anechoic chamber. The goal was to track how people pay attention with simultaneous streams of information, and how often they are able to tune in subconsciously. This work was completed with both Matlab and Max/MSP/Jitter as the framework, and the interface for the subjects was an array of switches that allowed them to answer the questions which we could then catalogue. diff --git a/_posts/art/.DS_Store b/_posts/art/.DS_Store index 1b817f71fa6ec97c10d33052a96105ecc86b47a4..787746e444c679d8b688a8acd5bc9acf2518b2b8 100644 GIT binary patch delta 156 zcmZoMXffEJ%4B#dsURn_xWvHVIwKP^3o9Et2L}f?2QNo#a7KQ4a7kiGX|YpcQ8b7b zkXVwDlsGw?$up3XlaqrpUO=+C+SuGsN5ROf|sc&$MWehJeJ944@)TWryqr1`y!n z;EWd#udX&WGu2TrH?7rCsJ1Y+&`~fkHmj}WfB7^b diff --git a/_posts/art/audio/2014-04-05-modulations.md b/_posts/art/audio/2014-04-05-modulations.md index 48bae1b..d9661a0 100644 --- a/_posts/art/audio/2014-04-05-modulations.md +++ b/_posts/art/audio/2014-04-05-modulations.md @@ -5,7 +5,7 @@ date: 2014-04-05 categories: sound performance --- -2014 Modulations Festival +# 2014 Modulations Festival ![mod](/assets/modulations.png) diff --git a/_posts/art/audio/2016-01-30-finite00.md b/_posts/art/audio/2016-01-30-finite00.md index 2feffba..5dd3451 100644 --- a/_posts/art/audio/2016-01-30-finite00.md +++ b/_posts/art/audio/2016-01-30-finite00.md @@ -5,7 +5,7 @@ date: 2016-01-30 categories: sound performance --- -Finite Series #00 +# Finite Series #00 Cullen Miller invited me to perform music. I utilized one of my early modular setups for a solo performance. David Kanaga of the [Software Label](http://www.softwarelabel.net/) performed the MYST soundtrack live, which was more than a little entertaining. I also had the chance to meet Madalyn Merkey for the first time, who put on a great performance with MaxMSP. diff --git a/_posts/art/audio/2016-04-30-finite01.md b/_posts/art/audio/2016-04-30-finite01.md index 7a8be6a..28f5b36 100644 --- a/_posts/art/audio/2016-04-30-finite01.md +++ b/_posts/art/audio/2016-04-30-finite01.md @@ -5,7 +5,7 @@ date: 2016-04-30 categories: sound performance --- -Finite Series #01 +# Finite Series #01 I was invited a second time to perform music at the Finite quarterly. This time was more involved, and took a bit more time to set up. I played after hours in the dark. After Rene Hell and EasySimple (simple) performed, [Gabriel Dunne](http://gabrieldunne.com/) and [Cullen Miller](http://pointlinesurface.com) performed with a live A/V set that they designed with bespoke software. diff --git a/_posts/art/audio/2016-04-30-finite02.md b/_posts/art/audio/2016-04-30-finite02.md index 7d73078..2a6e80e 100644 --- a/_posts/art/audio/2016-04-30-finite02.md +++ b/_posts/art/audio/2016-04-30-finite02.md @@ -5,7 +5,7 @@ date: 2016-07-30 categories: sound performance --- -Finite Series #02 +# Finite Series #02 I was invited a third time to perform music at the Finite quarterly, this time at Gray Area. This particular performance was more ambient and textural, and I opened for the night. It was a pleasure to perform alongside [Jan Jelinek](https://faitiche.de/t/artists/janjelinek), a long-time interest of mine. [Scy1e](https://scy1e.bandcamp.com/) played an excellent spatialized set involving electronics from Peter Blasser's lab, and [Cullen Miller](http://pointlinesurface.com/) collaborated with [David Last](https://www.facebook.com/pg/lastfaithstudio/) in a dance set. diff --git a/_posts/art/audio/2016-09-01-bergen-assembly.md b/_posts/art/audio/2016-09-01-bergen-assembly.md index 500da03..056ac2f 100644 --- a/_posts/art/audio/2016-09-01-bergen-assembly.md +++ b/_posts/art/audio/2016-09-01-bergen-assembly.md @@ -2,9 +2,11 @@ layout: project title: "Bergen Assembly opening: Tarek Atoui's Infinite Ear" date: 2016-09-01 -categories: sound installation +categories: sound performance --- +# Infinite Ear + Tarek Atoui partnered with [Council](http://www.council.art) to create a masterful installation in the Sentral Badet community space of Bergen, Norway. My role was to set up the 0.9 instrument, calibrate it to the room, develop the software further with Tarek leading up to rehearsals, and train people on it through subsequent days of the exhibition prep. We worked with professional musicians and newcoming performers alike, many of them deaf persons. It was an eye opening experience to see the ways in which something of my own creation could be used to teach people how to create abstract music for the first time in their life. There were onsite interpreters to translate between sign and spoken language, and many interesting aspects of the space and partitions of the installation to explore and engage in as the time went by. Some highlights: diff --git a/_posts/art/audio/2018-05-18-bischofflubowmiller.md b/_posts/art/audio/2018-05-18-bischofflubowmiller.md index b1e3daf..38d21b5 100644 --- a/_posts/art/audio/2018-05-18-bischofflubowmiller.md +++ b/_posts/art/audio/2018-05-18-bischofflubowmiller.md @@ -1,10 +1,12 @@ --- -layout: job +layout: project title: "CNMAT: live electronics" date: 2018-05-18 categories: sound performance --- +# CNMAT: Live Electronics + CNMAT [presented](http://cnmat.berkeley.edu/events/john-bischoff-w-jeffrey-lubow-cullen-miller) an evening with John Bischoff, myself, and Cullen Miller. ![Bischoff](/assets/cnmat-blm-b.jpg) diff --git a/_posts/industry/2009-01-01-shrc.md b/_posts/industry/2009-01-01-shrc.md index c7060d7..9da6a44 100644 --- a/_posts/industry/2009-01-01-shrc.md +++ b/_posts/industry/2009-01-01-shrc.md @@ -5,7 +5,8 @@ date: 2009-01-01 categories: research hearing-science --- -Starkey Hearing Research Laboratories (SHRC) position +# Starkey Hearing Research Laboratories (SHRC) + --- Senior developer on a research programming team for the development of hearing aids. diff --git a/_posts/industry/2014-05-04-djtt.md b/_posts/industry/2014-05-04-djtt.md index c1b1100..b45c69c 100644 --- a/_posts/industry/2014-05-04-djtt.md +++ b/_posts/industry/2014-05-04-djtt.md @@ -5,7 +5,8 @@ date: 2014-05-04 categories: industry product-design --- -DJ Techtools: Orbit Instrument for Richie Hawtin's ENTER exhibition +# DJ Techtools: Orbit Instrument for Richie Hawtin's ENTER exhibition + --- Plastikman's "Enter." club featured an entire level to house "Orbit". Orbit is an interactive music table that allows up to 6 performers (12 hands) to perform collaboratively. Worked with team at DJ Techtools to build an interactive music experience for club in Ibiza, Spain. In addition to headphones, [Subpacs](https://subpac.com/) were used in order to allow performers to differentiate the low frequencies coming from their input from adjacent rooms in which DJing was happening. diff --git a/_posts/industry/2014-08-01-c74.md b/_posts/industry/2014-08-01-c74.md index 66453cf..e9c0dd4 100644 --- a/_posts/industry/2014-08-01-c74.md +++ b/_posts/industry/2014-08-01-c74.md @@ -5,7 +5,8 @@ date: 2014-08-01 categories: industry software --- -Cycling '74: Max 7 +# Cycling '74: Max 7 + --- Performed rigorous internal testing with David Zicarelli and other collaborators including Joshua Kit Clayton, Rob Sussman, Jeremy Bernstein, and Emmanuel Jourdan. -- 2.34.1